27 January 2010 9.00 a.m. – 6.00 p.m.
28 January 2010 9.00 a.m. – 4.00 p.m.
Goethe Institut Johannesburg
This year is seeing the introduction of a Symposium as a new scheme to the Johannesburg International Mozart Festival. The Symposium will present an informative and thought-provoking extension of the 16 music concerts – an opportunity to explore the context of “Musical Hemispheres” as this year’s theme. The Symposium is specially linked with the concert on 27 January at the Linder Auditorium, where works of double-exiled composer Friedrich Hartmann and South African composer Michael Moerane will be performed. The Music and Exile: North-South Narratives Symposium explores the relationship between sound and place in South Africa and internationally. This is done from the perspective of scholars, performers and composers, and covers a wide variety of music, including Western art music, jazz, South African traditional and folk music.
The topic of exile is of great significance in South African and European music of the twentieth century, as the political situations of Apartheid and the Second World War (to name only two instances) caused many migrations. Exile is, however, not only limited to experiences of political oppression: exile could be forced or voluntary (or combinations of both), as well as physical and/or spiritual. Composers or performers who have been forced to leave their countries are different to those who leave it voluntarily; musicians who use their music to migrate ‘inwards’ in their art are different to those who use it to remember the places they have left behind. Exile prompts categories like ‘Before the departure’; ‘uprootment’, ‘flight’, ‘arrival’, ‘place’, ‘new beginnings’, ‘nostalgia for home’ and ‘return’. Although these conditions of exile are universal, and enable a geographically and historically wide-ranging discussion, exile can be seen as a topos of South African cultural, and specifically musical, production.
Some of the prominent presenters who will present papers at the symposium include Tim Jackson (University of North Texas), Michael Haas (Jewish Museum, Vienna) and Stephanus Muller (Stellenbosch University), Mokale Koapeng and David Coplan (University of the Witwatersrand). There will also be discussions with composers and performers. Members of the public are welcome and attendance is free. To reserve a place please send an e-mail to dpt@johannesburg.goethe.org
Wednesday 27 January 2010 | ||
| Time | Description | |
| 09:00 | Welcome and introduction | |
| Session 1: Exile, Literature and Music Session chair: Dr Jean-Pierre de la Porte |
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| 09:15 | Muff Andersson The nomad sings, the nomad walks, the nomad rests: the ‘condition’ of exile |
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| 09:35 | Matildie Thom-Wium ‘My country, my dry, forsaken country’: On exile in Arnold van Wyk’s, NP van Wyk Louw’s and Ovid’s Tristia |
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| 09:55 | Pamela Tancsik Joseph Trauneck or the Wanderings of a Persecuted Man |
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| 10:15 | Questions/comments/discussion | |
| 10:45 | – Tea – | |
| Session 2: Identities Session chair: Matildie Thom Wium |
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| 11:15 | Michael Haas From Bach to Schönberg: How “German” was music from fin de Siècle Vienna? |
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| 12:05 | Xoli Norman The paradox of exile and the creative state |
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| 12:25 | Stephanie Vos Interpreting the notion of nationality in the case of John Joubert |
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| 12:45 | Questions/comments/discussion | |
| 13:15 | – Lunch – | |
| Session 3: In conversation | ||
| 14:00 | Stephanus Muller, Steve Dyer, Warrick Sony, Michael Blake and Mokale Koapeng | |
| Discussion panel | ||
| 15:30 | – Tea – | |
| Session 4: Exile in composition and performance Session chair: Dr Stephanus Muller |
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| 16:00 | Jean-Pierre de la Porte Exile on the spot: how does one recognize minor music? |
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| 16:30 | Pre-concert talk by Mokale Koapeng (on Moerane) The problem with Mosoeu Michael Moerane |
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| 17:00 | Keynote address: Timothy Jackson Biographical and Analytical Perspectives on Friedrich Hartmann's Song of the Four Winds |
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| 18:00 | – Symposium ends – | |
| 20:00 | Concert at the Linder Auditorium - Moerane, Hartmann and Mozart | |
Thursday 28 January 2010 | ||
| Time | Description | |
| Session 5: Perspectives Session chair: Aryan Kaganof |
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| 14:15 | Christine Lucia The smell of a grass fire |
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| 14:35 | Chats Devroop Emotional displacement amongst South African Jazz Musicians who stayed behind |
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| 14:55 | Mokale Koapeng Composing in South Africa |
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| 10:00 | Questions/comments/discussion | |
| 10:20 | – Tea – | |
| Session 6: People Session chair: Prof. Christine Lucia |
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| 10:50 | Performers workshop: Timothy Jackson in conversation with Thomas Sanderling Hartmann's Song of the Four Winds |
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| 11:40 | Aryan Kaganof Blue Notes from Johnny |
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| 12:00 | Chris van Rhyn The wingless flight – A consideration of Priaulx Rainier and her Requiem in the context of exile |
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| 12:40 | Colette Szymczak Jonas Gwangwa, musician and cultural activist |
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| 13:00 | Questions/comments/discussion | |
| 13:30 | – Lunch – | |
| Session 7: Places Session chair: Dr Chats Devroop |
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| 09:00 | David Coplan S.A. Jazz in Exile: Exporting Sophiatown and District 6 |
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| 09:20 | Hilde Roos Opera in exile: the Eoan Group |
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| 09:40 | Gwen Ansell with Steve Dyer So close to home: South African jazz in African exile |
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| 15:15 | Questions/comments/discussion | |
| 15:45 | Closing remarks | |
| 16:00 | – Symposium ends – | |
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