Composer-in-Residence

(c) Katrin Kusmierz

We are privileged to welcome Paul Hanmer as the JIMF’s-2012-Composer-in-Residence. Apart from composing Nightjar Breaks and Nachtroep, two new orchestral works commissioned by the Johannesburg International Mozart Festival for the final concert on 19 January, Paul Hanmer’s name will be appearing in a number of contexts: as the composer of various works throughout the Festival programme, as a performer, as a pedagogue, as a speaker as well as a contributor of programme notes.

Paul Hanmer

Born in Cape Town in 1961, Paul Hanmer began classical piano and theory lessons in 1970. After two years at the University of Cape Town studying for a BMus degree, Hanmer left to work with guitarist Paul Petersen. In 1987 Hanmer moved to Johannesburg where he was influenced by bands such as Sakhile and Bayete.
 In Johannesburg Hanmer formed “Unofficial Language” with Ian Herman (percussion and drums) and Peter Sklair (electric bass). The trio recorded ‘primal steps’ in 1994, featuring Sklair’s song “Tender Mercies”, and a second album, “move moves” in 1996.



Hanmer has recorded with Tananas, Miriam Makeba, Ray Phiri, McCoy Mrubata and Pops Mohamed and formed part of Tony Cox’s ‘Cool Friction Band’ in 1996. In 1999 he performed and recorded with Sheer All Stars and produced Gloria Bosman’s debut album “Tranquillity” Sheer Sound released Hanmer’s first album as a leader, Trains to Taung, in 1997. The album features Denis Lalouette, Jethro Shasha, Louis Mhlanga, Basi Mahlasela, Neil Ettridge and Andre Abrahamse. 

Since then he has recorded five more albums, Window to Elsewhere (1998), Playola (2000), Naivasha (2002), Water and Lights (2005) and Accused No 1: Nelson Mandela (2006). A duo album featuring Hanmer with McCoy Mrubata entitled “The Boswil Concert” was released in June 2011. 

Hanmer has written a string quartet for the Sontonga Quartet and a clarinet quintet for Robert Pickup, principal clarinettist with the Zurich Opera. In addition he has composed a suite of duets for double bass and cello for Leon Bosch of the Academy of St Martin in the Fields, completed three pieces for two tubas and accompanying instruments for Anne Jelle Visser of the Zurich Opera and Sérgio Carolino, principal tuba with the Oporto National Orchestra, and written two duets for violin and harp commissioned by Marc Uys.

Hanmer’s list of SAMRO commissions include “Elegy: 24 Maraisburg” for cello and piano, written especially for UNISA’s 2010 International String Competition, “Zimnastics for Gentlefolk” for viola and piano and “Yet Another Look” for violin and piano. In addition, he wrote “Trackways”, an orchestral song-setting of texts by Nils Aslak Valkeapää, for Gothenburg-based singer Eva Rune. 

Hanmer recently completed “The Pilgrim”, a commission from Anne Jelle Visser for 2 tubas, piano and two percussionists and a piece for 2 tubas and 9 trombones entitled “The Breakfast Song” requested by Sérgio Carolino. In February 2011, Hanmer’s clarinet quintet was performed in South Africa by Robert Pickup and the casalQuartet (including one performance for the final concert of the JIMF 2011) and his “Elegy: 24 Maraisburg” formed part of visiting Russian cellist Georgi Anichenko’s repertoire. 

Pickup and cellist Peter Martens also premiered a new commission named “The Game Reserve Effect” in Cape Town in February 2011 

Hanmer recently completed an orchestral commission from Miagi called “Halogram” to commemorate his 50th birthday, which coincides with the 100th anniversary of Gustav Mahler’s death. In August and September 2011 Frank Mallows (vibraphone) and Magda de Vries (marimba) performed several concerts featuring a new commission for their duo entitled “Victoria-West”.

Worklist

For string quartet

- Shihuahua Express 2011 – single movement
- Untsiki – for The Bow Project
- Ntwazana – for The Bow Project
- String Quartet – in four movements


For solo piano (three short pieces)

- Thinking of The Clavichord
- My Daughter Spoke of Owls
- 2-Minute Noodles


For violin and piano

- Yet Another Look


For viola and piano
- Zimnastics for Gentlefolk


For violoncello and piano
- Elegy: 24 Maraisburg




For violin and harp
- Mkhize’s 50th
- Koalabearhugging hats


For clarinet in A and violoncello
- The Game Reserve Effect




For clarinets (basset horn, basset clarinet & clarinet in Bb) and string quartet
- Clarinet Quintet in three movements – Ferrante; Damocles; Baby Clarino




For flute and pian
- Sarabande - For the Days of The Sundog




For alto flute, piano, marimba and double bass
- Skelmbos




For wind quintet
- Wind Quintet – in three short movements


For 2 tubas and drumkit
- Der Blasende Hollander


For 2 tubas, drumkit, piano and string quintet
- kometgruppen


For 2 tubas, piano and 2 percussionists
- The Pilgrim


For 2 tubas, 6 tenor trombones and 3 bass trombones
- The Breakfast Song



For voice and 6 clarinets, percussion, timpani, harp and strings
- Trackways – a song-setting of texts by Nils Aslak Valkeapää


For violoncello and double bass
- Suite of 5 Duets


For orchestra and piano
- Halogram – a single movement


For vibraphone and marimba
- Victoria-west

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